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Finally remembering to share my binding of K'diwa: a Steamy Novel of Interspecies Romance by Jim Kirk, by @branwyn-says.

I'm really happy about the way this book came out; the spine rounded super nicely, and the matte gold HTV titles worked well with the Duo Polar to give it a very clean Science Division aesthetic.

I also worked really hard on an LCARS inspired typeset, making headers and footers to accommodate different sizes of text as the page and chapter numbers increased. The text is set in Liberation Serif, and titles and decorations are in Roddenberry and Swiss 911 Ultra Compressed.

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I really enjoyed this fic, and I'm so glad I was able to do this and send an author copy!

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Fifteen years ago, John Hammond had a dream. Like John himself, the dream was grand. It was outsized. It was bold. It was impractical. It was not to be. Half an hour from now… John Hammond's dream, re-imagined, will come true.

THE LOST WORLD: JURASSIC PARK
1997, dir. Steven Spielberg

i’m done settling for percentages. percentages of my father, percentages of you. i want it all. and i can’t stick around waiting for it.

(for @bedhadakdiaz​)

[Image ID: nine gifs of Jude and Zero from Hit The Floor episode 3.04, “Good D.” They are in the arena parking lot, after Zero pushes Jude to know why he’s treating him like a stranger.:

GIF 1: Zero’s confession bursting out of him as Jude reaches for his car door. The text reads, “I love you.”

GIF 2: Jude leaning back, looking at Zero with surprise, and thinly-veiled hope as his mouth twitches into a smile.

GIF 3: Zero collecting himself, closing his eyes for a second before looking back at Jude with a fond, determined look in his eye as he says, “I…I love you, stupid.”

GIF 4: Jude looking at Zero with barely restrained shock, a little half-smile flitting at his mouth before he holds his head up and says, “I love you, too.”

GIF 5: Zero’s smile of wonder widening as he hears Jude’s own love confession.

GIF 6: Jude shaking his head as he says, “And even still, it doesn’t matter. Love isn’t enough. I need someone I can actually be with like a normal person. Someone who’s able to be there for me in every way.”

GIF 7: Jude asking Zero in a pleading tone, hope shining in his eyes, “Can you? Can you do that?”

GIF 8: Zero looking away from Jude as he thinks over it, shaking his head slightly as he rolls his bottom lip into his mouth, then says, “No.”

GIF 9: Jude’s expression pinching tight, closed off to Zero as he purses his lips, then drops his eyes.

/end ID]

bonus:

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[BONUS GIF ID: Zero turning away to watch Jude drive away, his jaw clenching tight as he closes his eyes tightly, opening them to where Jude is speeding away. /end ID]

I try to stay away from a lot of fandom discourse, but since I’ve been seeing this on my dash again and in tags, I feel the need to make a statement on this, particularly for any young fans who follow me that might get drawn into this mindset.

Stay away from purity culture. Warn your friends away from it too, if you see them starting to fall for it. It’s very easy to get drawn into it

Almost always, it starts with one of three roots, pedophilia, incest and/or abuse. Usually it’s pedophilia. Funnily enough, that’s also what congress usually uses to try to justify passing bills that undermine online privacy & security. Because it’s an easy, extreme target, and when people attempt to argue against it, it’s nice and easy to say “Oh so you like pedophilia” rather then actually engaging with their argument.

The logic goes like this, although there’s many forms of it.

  1. “Pedophilia is bad.” -> Obviously, you agree with this. You’re a reasonable person, and the idea that anyone would do something like that to a child is horrible. This is a normal human reaction.
  2. “Because pedophilia is bad, all fictional explorations of it must be equally bad.” -> Here you might hesitate, but it adds up, doesn’t it? The thought of pedophilia in any context probably gives you a bad feeling, that makes you inclined to go along with this logic. 
  3. “Anyone who creates content with a fictional exploration of pedophilia is also bad.” -> Maybe you pause here, or maybe you don’t. But still, it adds up, it’s a very easy flow. After all, we’ve decided that that is Bad, so why would anyone Good want to create something like that?
  4. “Since people who create content with a fictional exploration of pedophilia are just as bad as people who engage in pedophilia in real life, it’s okay to harm them.” -> Here’s where you might pause again. The argument might not win you over entirely, you might not be willing to do harm yourself, but you may be a lot more willing to turn a blind eye to harm being done to someone. Or to consider it ‘justified’.
  5. The pattern now repeats for anything else that’s considered “morally impure”, and “pedophilia” is expanded and expanded, often to ridiculous points, such as merely shipping two underage characters. “Abuse” becomes any ship that the person pushing doesn’t like, for any reason. And so on and so forth.


This is the foundation of “anti” culture, and it’s important to be aware of it so you can catch this false equivocation. Fictional explorations of something, are not the same as the thing itself. Fictional explorations are fiction. The characters are not real people. There is no actual harm being done. Equating fake harm and real harm is a dangerous, slippery slope, which leads us to fundamentally flawed ideas of moral purity. It’s a form of controlling people & making them feel guilty for their very thoughts, rather than holding people accountable for their actions. 

A very handy trick for when you encounter this sort of argument, is to replace whatever the selected purity term is with murder. After all, we can all agree that murder is bad, but at the same time, we understand that a murder in a book =/= a murder in real life.

Let’s see that argument again, shall we?

  1. “Murder is bad”
  2. “Because murder is bad, all fictional explorations of it must be equally bad.”

  3. “Anyone who creates content with a fictional exploration of murder is also bad.”

  4. “Since people who create fictional explorations of murder are just as bad as the people who commit murder in real life, it’s okay to harm them.”


Hopefully, it’s now easy to see why the above argument is fundamentally flawed.

Keep your eye out for purity culture in your fandom spaces, and when you see it, refuse to engage with it. Warn your friends if you see them falling into the same traps, although try to be kind about it; this is a very easy thought pattern to fall into. I don’t recommend trying to argue/debate anti’s. The attention only feeds them. Block them instead. Don’t let people control or shame you for what you create or consume, and don’t control or shame others for what they create or consume.

Also, as a note, let me be clear about something. If you are uncomfortable with any of the above discussed things, or anything in general in fiction (ie, underage ships, murder, incest, abuse, penguins, needles, etc), that’s perfectly fine (it’s also called a squick, for those that haven’t heard that term before). Absolutely control your fandom experience by blocking people, filtering tags, unfollowing, etc. However, just because you are uncomfortable with something, does not give you the right to control other people. Other people have no right to control what content you create or consume, and you have no right to do that to them either. 

Okay?

“It’s a form of controlling people & making them feel guilty for their very thoughts, rather than holding people accountable for their actions. ”

“Fictional explorations of something, are not the same as the thing itself. Fictional explorations are fiction. The characters are not real people. There is no actual harm being done. Equating fake harm and real harm is a dangerous, slippery slope, which leads us to fundamentally flawed ideas of moral purity.”

Fictional characters are not real people.

If I kill off a character, I am not a murderer.

Also, creators are not obligated to explore so-called ‘problematic content’ in only certain ways. Creators are allowed to create things simply for the enjoyment of it and do not need to justify their reasons for it or use said creations as a proclamation of their real life views and morals, because those things are not synonymous.

hi, how would you write a sense of detachment for someone but still feeling something there? like the character is trying so desperately hard to understand but they just can’t comprehend whether it’s because they refuse to, they can’t, or they just don’t remember something? i don’t know, kind of a weird question i guess

Anonymous

This is a two-prong question! Firstly, we have detachment, and secondly, we have incomprehension, both of which are different emotional states. Let’s look at detachment first, and we’ll consider incomprehension in a different post.

How to Write Characters with a Sense of Detachment

Characters with a sense of detachment offer a unique perspective, challenging readers to delve into the intricacies of human emotions and the complexities of forming connections. From emotionally distant individuals to socially detached personalities, exploring detachment opens doors to exploring themes of self-discovery, personal growth, and the search for true connection. But how do you write characters who are emotionally distant? Here are some quick tips to show, not tell characters with a sense of detachment.

Behaviours

  • Avoiding eye contact
  • Speaking in a monotone voice
  • Fidgeting or avoiding physical contact
  • Not showing excitement or enthusiasm
  • Refusing help or offers of support
  • Giving vague answers to questions

Interactions

  • Struggling to relate to others
  • Preferring solitude over socializing
  • Difficulty in forming close relationships
  • Difficulty in expressing emotions
  • Dismissing others’ feelings or being insensitive towards them
  • Being guarded or intentionally vague in conversations

Physical Signs

  • Lack of facial expressions
  • Stiff posture or body language
  • Little to no physical touch or affection
  • Unkempt appearance or disregard for personal hygiene
  • Tendency to keep distance from others
  • Habits like staring out of windows or picking at nails

Visual Cues and Imagery

  • Using minimalist and simple designs in their home or office
  • Wearing muted and plain clothing
  • Utilizing bleak or empty landscapes in their surroundings
  • Portraying a sense of emptiness and hopelessness
  • Using shadows or darkness to enhance detachment
  • Using silence as a tool to emphasize detachment

Internal Thoughts

  • Lack of self-worth or identity
  • Little emotion or empathy towards others
  • A feeling of general apathy or resignation
  • An intense focus on rationality over emotions
  • Difficulty in recognizing and addressing emotional issues
  • Distancing oneself from their own thoughts and feelings

Body Language

  • Lack of eye contact or facial expressions
  • Standing at a distance from others
  • Crossing arms or legs as a barrier
  • Staying still or avoiding physical movement
  • Avoiding physical touch or contact
  • Restless or fidgeting behaviour

Feelings

  • Numb or deadened emotions
  • Apathy and lack of interest in most situations
  • Difficulty experiencing joy or happiness
  • A sense of detachment and isolation from others
  • Irritability or frustration when confronted with emotional situations
  • A feeling of being out of touch with oneself and others

Attitudes

  • A focus on rationality and logic over emotions
  • A tendency to pull away from people and situations
  • Believing that detachment is a positive trait
  • Experiencing a lack of fulfilment in life
  • Feeling like they are on the outside looking in
  • Perceiving others as needy or overly emotional

Positive Outcomes

  • An ability to stay calm in stressful situations
  • Being able to solve problems objectively
  • An ability to make rational decisions without influence by emotions
  • Maintaining a level head in dangerous situations
  • Being able to maintain privacy and distance when necessary
  • The ability to think clearly and analyze situations without distractions

Negative Outcomes

  • Struggling to form close relationships
  • Feeling disconnected from others
  • Experiencing emotional numbness or apathy
  • Becoming detached from one’s own emotions and thoughts
  • Failing to recognize and address emotional issues
  • Feeling internal conflicts and a sense of dissatisfaction in life

Detachment can add layers to your characters, but it can also have consequences. When writing detached characters, consider the audience’s level of empathy towards them, and make sure they experience some kind of character growth as the story progresses.

If you’d like a more in-depth look at writing detachment, you can also check out this post: